This week, Deborah Jones immerses herself in Cathy Marston's memorable ballet The Cellist about Jacqueline du Pré, and recommends New York City Ballet in Balanchine's Dream and Akram Khan in Xenos.

The yellow label’s new initiative, DG Premium, will focus on concert-length productions, from archive recordings to ticketed live-streamed concert events – including a virtual Bayreuth Festival.

For week two, Clive Paget travels from his living room to New York, London, Berlin and back to Oz.

Two Barenboims and a mate run the gamut of emotions.

An incendiary article, drawing on interviews with current and former staff and musicians, has captured the attention of the music community, alleging a darker side to the revered conductor’s success.

Barenboim caps off his Australian performances with a revelatory Eroica.

Daniel Barenboim brings his Brahms cycle with the Staatskapelle Berlin to a stunning conclusion.

"I was here 60 years ago in 1958 and nobody spoke about this," the maestro told the audience following the conclusion of his Brahms cycle.

In a masterful first performance, Daniel Barenboim and the Staatskapelle Berlin prove the audience is in good hands for this Brahms odyssey.

In Mozart, Barenboim plays the Yin to Yang’s Yang.

Players from regional towns across New South Wales will work with members of the acclaimed orchestra, joining them onstage for a special concert at the Sydney Opera House.

Barenboim channels Elgar in a return to Brahms.