Review: A Quiet Language (Australian Dance Theatre & Adelaide Festival)
Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.
Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.
Professor Ruth Rentschler commits to a $500,000 bequest on completing her eight-year tenure on the ADT board.
In record time, new Artistic Director Brett Sheehy has put together a program consolidating the festival’s long-held international reputation.
Simon Stone directs Kaija Saariaho’s last opera, Australian Dance Theatre celebrates 60 years, and Pina Bausch’s Tanztheater Wuppertal returns.
Two world premieres see Daniel Riley break new ground, while Alice Topp rejoices in our national company's diamond anniversary.
Deborah Cheetham Fraillon plans to restore the arts to their pride of place, and to give young artists a much-needed confidence boost.
The 2023 edition of Melbourne’s RISING festival is announced, with 12 major world premieres among its menu of music, visual arts, dance and mass participation events.
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
From the power of choirs to the power of young people, the Adelaide Festival’s new Artistic Director Ruth Mackenzie shares her thoughts on next year’s program, and the future.
The lineup salts Sydney with 748 performances, featuring homegrown and international talent, with a cascade of world premieres and the Australian premiere of the opera Sun & Sea, staged on an artificial beach.
Artistic Director David Hallberg's third season promises fireworks as it celebrates the company's 60th birthday with icons past, present and future.
Log in to read the PDF version of Limelight's September 2022 magazine.
The new Artistic Director of Australian Dance Theatre, Daniel Riley, is returning the company to first principles, with big, but local, thinking.