A giddy-making hayride of a show, Belvoir adapts Bulgakov’s novel with the kind of reckless creativity we imagine was required to write it in the first place.

"I love a ridiculous undertaking," says Artistic Director Eamon Flack of Belvoir's 10-play campaign for 2024.

Belvoir's production of Sondheim's Into the Woods gets off to a shaky start, but memorable performances and a moving second act win the day.

Two very different productions of Sondheim's fairy-tale musical are about to open in Australia, one in Sydney, one in Perth. We speak to the directors.

“The possibility of genuine cultural and artistic thriving.” Arts sector leaders respond to the release of the National Cultural Policy.

History repeats as Belvoir tops a Sydney Theatre Awards ceremony celebrating a year in which normal service resumed.

This new play by S. Shakthidharan and Eamon Flack is a soaring achievement, carried by an extraordinary international ensemble. There are joyous moments, but prepare to sob.

The exciting season includes a Sondheim musical, two new Indigenous plays among seven Australian stories, and an adaptation of a best-selling Australian novel.

Despite the best efforts of the actors, Belvoir's production of Caryl Churchill’s 1976 polemic is a bewildering waste of time and talent.

All the elements are there in Alana Valentine’s latest play, but Wayside Bride desperately needs further work to fulfil its promise.

The former television executive and leading arts philanthropist has died in a boating accident, aged 77.

The 2022 Belvoir season includes six new works including stage adaptations of Looking for Albrandi and Opening Night, and the new play from the team behind the award-winning Counting and Cracking.