Belvoir programs an eclectic festival, the company's first repertory season featuring plays by Caryl Churchill and Alana Valentine, and a new panto by Virginia Gay to end the year in ridiculous, joyous fashion.
This concert by the Australian Chamber Orchestra represents a statement of intent, a step on the road to cultural revolution.
Productions include the return of Fangirls and A Room of One's own, three new Australian plays, and The Cherry Orchard.
The company returns to the stage, adhering to strict COVID-Safe guidelines, with Anita Hegh in A Room of One’s Own.
Currently based in LA, the irrepressible performer tells us about the concert, the special challenge of performing in online events like this, and how her "apoca-puppy" is helping her cope with COVID-19 isolation.
S. Shakthidharan and Eamon Flack’s sweeping drama has won the $100,000 Victorian Prize for Literature.
Though entertaining as a bio-drama, the writing doesn't get under the skin of the characters enough to have much of an emotional impact.
From Virginia Woolf and Caryl Churchill to brand new works by Michelle Law and S. Shakthidharan, Eamon Flack’s latest season seeks to make sense of the “bewilderment and insanity” of 2020.
Colin Friels gives a passionate, moving performance as Galileo in Brecht’s play, which feels incredibly relevant right now.
The first 20 winners at the 19th Annual Helpmann Awards were announced tonight, with Counting and Cracking taking home four awards.
An exciting, ambitious new Australian play, in six languages, that unites the personal and political in powerful, moving fashion.
S. Shakthidharan and Eamon Flack discuss a sweeping new drama that tells a different kind of Australian story on stage.
Highlights include an epic in Sydney Town Hall, a new play about the Packer Dynasty, and Colin Friels in Life of Galileo.
