Review: Jubilation (Adelaide Symphony Orchestra)
The ASO opened its 2022 subscription series with an ambitious program that had the audience buzzing throughout.
The ASO opened its 2022 subscription series with an ambitious program that had the audience buzzing throughout.
The ASO's impressive 2022 season is one of the country’s bolder efforts, with women composers and living composers well represented.
With a wary eye on borders closures, the TSO has programmed six months of concerts starring their own principal musicians as featured soloists.
A three-month program but with an admirable commitment to 100 percent streaming.
An uneasy start redeemed by energetic, committed playing.
Cécile Ousset’s sparkling pianism joins reissues by Brahms and two Polish masters.
The Tasmanian Symphony Orchestra’s new Chief Conductor tells Angus McPherson about growing up in Bergen, swapping the concertmaster’s chair for the podium, and his connection with the music of Brahms.
Discover our readers' and critics' favourite artists of 2019, learn about Beethoven's final tempestuous year, and celebrate Musica Viva as it turns 75.
A season of Germanic highlights has plenty of gems away tucked in there for the curious.
A freewheeling line-up of guest conductors and concerto soloists will keep the orchestra on its toes in its year between Chiefs.
The 33-year-old Swiss-Australian conductor adds another feather to her cap with this latest engagement.
Norwegian maestro Eivind Aadland will commence a three-year engagement with the TSO from 2020.
Konstantin Shamray brought plenty of pyrotechnics to this performance with the Adelaide Symphony Orchestra.