A new work by Elliott Gyger, fearsome musicality from Paavali Jumppanen and a fond farewell to Leanne Glover made for a special concert.

Elliott Gyger tells us about his new piece for WASO, and exactly what a concerto for orchestra is.

Cameron Lam explores new and recent releases, including orchestral masterpieces, electronic wonders, intimate chamber music, and those that blur the lines beautifully.

The chamber ensemble is looking for new wind quintets from young Australian composers, aged 18-35.

Announcing West Australian Symphony Orchestra's 2022 season, Asher Fisch discusses how he and the orchestra are still learning from each other.

Composers, performers and organisations around the county were acknowledged in a virtual ceremony.

Six Australian compositions have been shortlisted for the prestigious Orchestral and Song Cycle prizes, which will be announced at this year’s Peggy Glanville-Hicks Address.

Though dramaturgically flawed, this adaptation of Peter Carey's beloved novel is full of daring and brilliance.

Conductor and Artistic Director of Sydney Chamber Opera Jack Symonds discusses Elliott Gyger’s new opera, an adaptation of the beloved Peter Carey novel Oscar and Lucinda.

Sam Allchurch talks about his debut concert as Music Director of Sydney Chamber Choir, and following his predecessors Richard Gill, Paul Stanhope and Nicholas Routley.

Sydney Chamber Opera will premiere a new Australian opera based on Peter Carey’s novel Oscar and Lucinda as part of the Sydney venue’s 2019.

Frank Martin's rarely heard Mass and four new Australian compositions make for a refreshing concert.