Review: Tosca (Palace Opera & Ballet)
The casting of Anna Netrebko was always going to be controversial. So, was it all worth it in the end?
The casting of Anna Netrebko was always going to be controversial. So, was it all worth it in the end?
Some great productions and big names but top of anyone’s must-see list should be the third instalment of Barrie Kosky’s intensely theatrical Royal Opera House Ring Cycle.
British-Italian tenor Freddie De Tommaso is the real deal. He talks to Jo Litson ahead of his Australian debut.
Mavra and Iolanta, cunningly interwoven? Ranisch almost pulls it off.
Silvia Colloca chats about her debut album for Decca Australia, Sing like an Italian.
Shostakovich’s jazzy side leads the field, with ear-ravishing Ravel, Carl Vine’s piano sonatas and Matthias Goerne’s collaboration with Daniil Trifonov in hot pursuit.
Freddie De Tommaso stakes claim as “The Tenor” of his generation.
A Tunbridge Wells tenor’s debut disc proves the real Italian deal.