Review: The Happy Prince (The Australian Ballet)
Graeme Murphy's new ballet is an imaginative feast for the eyes, igniting the senses, but it doesn't sustain emotional engagement.
Graeme Murphy's new ballet is an imaginative feast for the eyes, igniting the senses, but it doesn't sustain emotional engagement.
This triple bill showed off all the qualities of the company and then some.
The artist, designer and director on closing Theatre of Image, publishing a 30th anniversary book, and adapting and designing a ballet of The Happy Prince.
A joyous 50th anniversary celebration including alumni and audience members.
David McAllister’s final program as Artistic Director includes three new full-length ballets, including Anna Karenina, and a new short work by Alice Topp.
Scheduled by The Australian Ballet to premiere this year, but delayed due to ill health, Graeme Murphy's new ballet will now open in Brisbane in February 2020.
The dance educator and founding director of The Australian Ballet School has died at 96.
Due to a medical issue, Graeme Murphy is unable to create his new ballet for this year’s Australian Ballet season.
Amber Wagner blazes as Puccini’s icy princess.
We finish our round up of the shows that excited us most in 2018 with a look at dance.
Graeme Murphy's sparkling production of The Merry Widow is sure to please Adelaide audiences.
Highlights include new full-length ballets by Graeme Murphy and Stanton Welch, Les Ballets de Monte-Carlo in Lac, and a new Resident Choreographer.
Three new digital productions, William Kentridge’s Wozzeck, a new opera about Brett Whiteley, and singers including Jonas Kaufmann and Lise Lindstrom.