Review: The Merry Widow (Opera Queensland)
This production certainly glitters visually, but all is not gold.
This production certainly glitters visually, but all is not gold.
A very entertaining, richly deserved tribute to one of our national treasures.
This month, The Australian Ballet celebrates Graeme Murphy’s 50-year association with the company. Deborah Jones looks back on a blazing career, that includes three decades running Sydney Dance Company, and wonders if it all began under his mother’s piano at age four.
The March 2018 issue of Limelight Magazine features Australian star soprano destined to follow Sutherland to the very top – meet Nicole Car.
Stunning sets and star power have made Murphy’s production the most popular production of the work in the company’s history.
Subscribe or renew your subscription to Limelight magazine before Friday February 9 to receive our March 2018 issue, delivered from February 22.
Romancing Danielle de Niese or tapping out Kosky’s Shostakovich, meet the tenor who ‘nose’ no bounds.
Homecoming queen Danielle de Niese sings and dances her way through this lavish new production.