Opera meets outer space in this cosmic collaboration between science, technology and the arts.

With a highly gifted and vocally balanced cast, this is ensemble performance at its best.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

After living in the UK for two decades, Helena Dix is back. And now there's "no more sitting like a puppy dog at an opera casting director’s door . . ."

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working class roots, April’s issue explores music, place and identity.

Pulling out all the stops, State Opera South Australia’s Artistic Director Dane Lam talks about the company’s Golden Jubilee.

A dazzling production brings the fantasy of Mozart’s Magic Flute into the present day.

Simone Young is both maestro and master storyteller in this perfect reading of Die Walküre, with the SSO and an all-star cast at the top of their game.

Director Gary Abrahams and a talented cast give this well worn Puccini opera an early 20th century Melbourne refresh.

Voted by our readers and nationwide team of critics, Limelight’s Artists of the Year are announced.

Our reviewers and readers have voted for the Australian and international artists who particularly thrilled them over the past year. We are delighted to announce the winners ...