Limelight: Looking forward to 2050 (fingers crossed!)
We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what music might be like when we publish Limelight #500.
We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what music might be like when we publish Limelight #500.
Liszt vs Brahms! Reich vs Glass! AFCM brings together a selection of works by composers who disliked each other intensely.
A smart program gives Stefan Dohr the space to showcase his glorious tone, sublime phrasing and insightful interpretative vision.
The versatile and powerful accordion wasn't invented during JS Bach's lifetime, but chances are he would have used it if it had been.
No Queen but this airing of Czech chamber specials reaches sublime heights.
Like any good casting director, AFCM's Jack Liebeck knows how to curate an impressive opening-night lineup.
Arriving in Australia this month, British clarinettist Michael Collins chats about his fast-paced career and surviving two terrible setbacks.
AFCM ends 35-year relationship with Townsville. Decision to leave made a certainty by city council's rejection of new concert hall plan.
The Australian Festival of Chamber Music in Townville works because it's off-the-radar, not despite it, says Artistic Director Jack Liebeck.
Ian Potter Foundation funding to be funnelled into expanding AFCM's regional reach and developing its programs for emerging and local musicians.
Michael Collins, Carolyn Sampson, Emily Sun and the Australian String Quartet among this year's artists playing the Aussie tropics.
Ravishing singing and playing from the VOCES8 stable.
Decision to redirect funds from concert hall to Barrier Reef education centre "deplorable" says Australian Festival of Chamber Music.