Review: Dvořák: Symphonies 5 & 6 (Melbourne Symphony Orchestra)
A gracious yet robust entry point into Dvořák’s symphonies.
A gracious yet robust entry point into Dvořák’s symphonies.
The opening night performance of the first and third symphonies gets the MSO's Beethoven Festival off to a brilliant start.
Melbourne Symphony Orchestra's Beethoven Festival is set to be a test for string players – and a rare opportunity to experience the musical evolution of a genius.
Team Spain bring some gold-winning magic to an afternoon of Beethoven.
Siobhan Stagg and Jaime Martín discuss the joys of collaborating on Strauss and Debussy.
The MSO's first release on its new label is a triumph.
The second year of MSO Chief Conductor Jaime Martín's stewardship one of "great joy" and strong audience engagement.
The first recording on the Melbourne Symphony Orchestra's own label is an international showcase for soprano Siobhan Stagg.
A round-up of our recent news reports.
Elgar became England’s leading composer almost overnight following the premiere of his Enigma Variations. What is the so-called Enigma?
The Melbourne Symphony Orchestra's 2024 season gets underway with a strong reading of Holst’s magnificent score.
The Melbourne Symphony Orchestra has extended the tenures of two of its most popular figureheads until 2028.
Deborah Cheetham Fraillon explains how her new work broke her compositional silence after the Voice to Parliament referendum left her mute.