Siobhan Stagg and Jaime Martín discuss the joys of collaborating on Strauss and Debussy.

The MSO's first release on its new label is a triumph.

The second year of MSO Chief Conductor Jaime Martín's stewardship one of "great joy" and strong audience engagement.

The first recording on the Melbourne Symphony Orchestra's own label is an international showcase for soprano Siobhan Stagg.

A round-up of our recent news reports.

Elgar became England’s leading composer almost overnight following the premiere of his Enigma Variations. What is the so-called Enigma?

The Melbourne Symphony Orchestra's 2024 season gets underway with a strong reading of Holst’s magnificent score.

The Melbourne Symphony Orchestra has extended the tenures of two of its most popular figureheads until 2028.

Deborah Cheetham Fraillon explains how her new work broke her compositional silence after the Voice to Parliament referendum left her mute.

MSO Chief Conductor Jaime Martín’s second season in the job is a wide-ranging campaign for hearts, minds and inflation-weary wallets.

Maestro Jaime Mártin's first year at the helm of the MSO results in a shallow but encouraging anchorage in surplus.

Melbourne Symphony Orchestra launches its season with a powerful if sonically patchy showcase featuring Siobhan Stagg and a new work by Mary Finsterer.