The Sydney Conservatorium of Music has announced the next cohort of composers who will take part in the program, led by Liza Lim.

Though dramaturgically flawed, this adaptation of Peter Carey's beloved novel is full of daring and brilliance.

Australians make a strong case for Saariaho’s well-travelled oratorio, but can’t entirely overcome the work's curiously dissatisfying nature.

It’s all about risk, explains David Chisholm, Artistic Director of the Bendigo International Festival of Exploratory Music.

Damien Ricketson and Adena Jacobs' The Howling Girls is an immersive, dream-like exploration of trauma and voice.

Director Adena Jacobs talks about her latest project for Sydney Chamber Opera and the haunting story of trauma from which it grew.

Women and groups including women make up 56% of successful applicants.

Brand new work from Sydney Chamber Opera among the highlights of the venue’s 2018 season.

Anna Dowsley stuns as Lucretia in Kip Williams' deconstructed Britten.

Music and storytelling combine in a performance that brings narrative archetypes to life.

Along with Claire Edwardes and seven canny composers, the playwright explains how she created a musical Everywoman.

Acacia Quartet and Sally Whitwell bear the bays at this year's Festival.