One Man In His Time: John Bell and Shakespeare
Australia's great Shakespearean actor discusses his new solo show, why The Bard is so special, and how Shakespeare's writing has become his secular Bible.
Australia's great Shakespearean actor discusses his new solo show, why The Bard is so special, and how Shakespeare's writing has become his secular Bible.
Carmen Giannattasio makes an impressive Opera Australia debut in John Bell’s dramatic production.
The company has set aside 2,000 tickets to John Bell’s monumental Tosca for people who have not previously purchased tickets for an Opera Australia performance.
The season includes seven plays, five of which are Australian and four of them world premieres, as well as three cabaret shows.
How Nicholas Harding started drawing actors from the wings.
Peter Evans discusses the company's new series of debates, its podcasts Speak the Speech, and the likely return of the Prince of Denmark next year.
John Bell, Mitchell Butel and Julia Zemiro are among the artists speaking out on social media to ask the Government to #CreateAustraliasFuture
In its 30th year the company revisits Hamlet, the first play it ever staged, this time with a female actor in the title role, and The Comedy of Errors.
The line-up includes David Williamson's final play, a co-production with Sydney Festival, and seven plays written by women.
Justin Fleming's writing is ingenious, but a pacier, more energetic production would heighten the play's impact.
The veteran actor returns to Bell Shakespeare to star as Molière’s stingy Miser.
In their new book, Robyn Dalton and Laura Ginters chronicle a generation at Sydney University which arguably had a bigger influence on Australian cultural life than any single group before or since.
He takes on the title role of Molière’s The Miser for Bell Shakespeare after departing the company in 2015.