Read the April 2024 issue of Limelight
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Log in to read the PDF version of Limelight's April 2024 magazine.
Classical music has been a lifelong passion of the veteran actor. He reveals how a chance invitation shaped his taste in music forever.
Whether you are an avowed minimalist or a devil-may-care, cram-it-all-in maximalist, Limelight’s April edition will have something for you.
Compelling collaborations spanning the Baroque to modern Australian music find their way into the heart of the Blue Mountains for the Festival’s third year.
As the Edinburgh International Festival celebrates its 75th anniversary alongside the concurrent Edinburgh Fringe, it hosts the largest contingent of Australian artists in its history.
Justin Fleming's writing is ingenious, but a pacier, more energetic production would heighten the play's impact.
Strauss and Tennyson's Odyssey gets the full dramatic sweep.
Look out for an underwater concert, Australian Brandenburg Orchestra in Rembrandt Live, and US satirist Randy Rainbow.
Lear casts his shadow over The Father, an intriguing, confounding thriller of a play. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
John Bell’s Ensemble debut, a Reg Livermore one-man show and Ayckbourn’s The Norman Conquests are on the bill. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The AGNSW has announced 43 finalists including two of John Bell, while a Lisa Wilkinson portrait wins Packing Room Prize. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
On the road with pianist Simon Tedeschi, the actor puts the case for resurrecting 19th-century melodrama with music. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Jane Ede and Adrian Tamburini may not look past their sell bys, but they’ve notched up quite a score in Bizet's opera.