CD and Other Review

Review: Widor: Organ Symphonies Volume 3 (Joseph Nolan)

Orchestral Editor’s Choice, December 2013 Those of you who still haven’t cottoned onto the idea that Widor wrote a hell of a lot of brilliant organ music, most of it far superior to that Toccata, really need to hear this third volume in UK-born Perth-based organist Joseph Nolan’s recordings of Widor’s ten organ symphonies, part of his traversal of the composer’s complete works for organ. Like the previous two highly acclaimed volumes, this one’s been recorded on the magnificent Cavaillé-Coll organ of La Madeleine, Paris. Cavaillé-Coll was a friend of Widor’s and the composer’s music is inextricably linked to his instruments, which Widor played throughout his career. The four organ symphonies which comprise Opus 13 were first published in 1872 and later dedicated to Cavaillé-Coll. Taken together, the Symphony No 3 in E Minor and the Symphony No 4 in F Minor form a contrasting diptych, the more overt romanticism of the first contrasting with the neo-Baroque qualities of the second. Both however are equally imbued with delicacy and drama – qualities that are brought to the fore by Nolan with such nuance and insight that you feel you learn more about Widor by listening to these… Continue reading Get…

April 29, 2016
CD and Other Review

Review: Widor: Organ Symphonies Nos 7 & 8 (Nolan)

This is volume four in Joseph Nolan’s widely acclaimed journey through the complete organ works of Charles-Marie Widor. The Perth organist’s high standards show no signs of slipping, with magnificent accounts of Symphonies Nos 7 and 8. Widor wrote these two symphonies between 1886 and 1887. These and the previous two (published 1879) comprise the composer’s Opus 42, which after its initial publication in 1887 was to go through a further five editions. Massive in their structure and conception, 7 and 8 are more consciously symphonic in a late-Romantic sense and less suite-like than some of the earlier symphonies. Nolan, formerly of Her Majesty’s Chapels Royal, St. James’ Palace and, Master of Music at St. George’s Cathedral Perth, was recently made Associate Conductor and Head of Chorus at WA Opera. It’s an appointment that will not only further his development, but allow him to exercise an aural imagination which thrives on maximising colour and texture in order to elucidate line and form – as he does here. Again playing the superb organ of La Madeleine in Paris, which has no less than 60 stops and 4426 pipes, Nolan bathes the dramatic opening Moderato of the A Minor Symphony No 7 in a stained…

June 11, 2014