Review: People’s Choice (Sydney Chamber Choir)
A consistently engaging, perfectly blended concert of changing moods, from Bach to the Beatles.
A consistently engaging, perfectly blended concert of changing moods, from Bach to the Beatles.
Blown away by the ingenious use of music in the award-winning cartoon Bluey, Andrew Luboski talks to lead composer Joff Bush.
Devotional songs, Estonian chant and the "edgy modernism of Irish music" in the mix to be delivered by The Song Company in 2025.
Amanda Brown, Jed Kurzel and the team behind Bluey's most touching episode are awarded for their contributions to the Australian screen.
Marshall McGuire, Chair of the Australian Music Centre, discusses the importance of Australia’s Art Music Awards with Maddy Briggs.
Watershed, though not strictly an opera, is everything contemporary opera should be and so rarely is.
Cameron Lam tries his hand at an Australian-only answer to this year’s ABC’s Classic 100 theme: Feel Good, in this month’s Australian Art Music playlist.
Christos Tsiolkas explains why he felt compelled to put his fear aside to co-write the libretto for Watershed: The Death of Dr Duncan.
Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.
The Song Company pays homage to the enduring brilliance of the English composer William Byrd, 400 years after his death.
The Music Director of Sydney Chamber Choir discusses the dichotomy between the sacred and secular in choral music, embodied in his latest program.
A round-up of our recent news reports.
The Australian Brandenburg Orchestra and Choir reconnects Jalaluddin Rumi's 13th century poems to the divine.