An exploration of symphonic form, and a magnificent Li-Wei Qin cello concerto performance, beneath a wintry night sky.

A round-up of our recent news reports.

The Song Company provides mystical and musical challenges aplenty and a moving farewell to Kaija Saariho.

Composer and educator Liza Lim delves into the music of the late Finnish composer, and shares stories from when they met.

The groundbreaking Finnish composer, who embedded electronic sound worlds within the realm of classical music, has died aged 70.

ACO Underground now has its own band, whose genre-bending gigs include everything from their own punk tunes to Nick Drake and Bach.

Cat Hope talks about the electroacoustic music ensemble's first British tour in a landmark Australian cultural collaboration with the UK, and why electroacoustic music is in a constant state of flux.

Why has classical music been so slow to incorporate electric instruments?

The ambitious Sydney-based opera company will perform four programs including a double bill featuring a work by Kaija Saariaho and a world premiere by Felicity Wilcox.

A Dane and Finn make perfect bedfellows in Kullberg’s insightful survey.

Trio Argenti (almost) concludes the 2021 BMF with an intriguing choice of repertoire.

After a hiatus in 2020, we once again asked our reviewers and readers to vote for the Australian and International Artists of the Year. We are thrilled to announce our 2021 winners.