In-concert operas are sometimes regarded as the poor relation of their fully staged cousins. But can less be more?

This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.

Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.

A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.

Lindy Hume’s new production of this early Mozart opera offers much to delight both eye and ear.

The first part of Opera Australia’s 2024 season has launched and Guest Artistic Director Lindy Hume's program is no business-as-usual proposition.

OA and VO to present an epic staging of Mozart’s Idomeneo for three performances at the Palais Theatre in St Kilda.

Noongar culture, language and stories are now firmly embedded in the programming at Perth Festival. We talk to Noongar artists about this blossoming relationship.

A round-up of our recent news reports.

British director Jo Davies discusses the things she's keen to address at OA, and explains why she doesn't think it's a problem that this is her first AD role.

Rahel Romahn plays Mozart in Amadeus, opposite Michael Sheen as his musical adversary, Salieri. He plans to pick Sheen’s brains, since the Welsh star portrayed Mozart in London in 1998 and then on Broadway.

"Employ more women," says Opera Australia CEO Fiona Allan, one of six women, including Simone Young and Deborah Cheetham, interviewed in a new documentary by Miriam Gordon-Stewart.