On the 150th anniversary of Carmen, we talk to director Anne-Louise Sarks about her new production for Opera Australia.

Management turbulence continues at Opera Australia with Fiona Allan departing after three years as CEO.

Director Lindy Hume talks to Limelight about making four operas simultaneously and challenging what the art form can be.

A new collaboration between the Sydney Conservatorium and NIDA features the premiere of four operas written by Master’s students.

Exquisite singing and a feeling of déjà vu mark the return of Mozart’s seminal opera after a 30-year absence.

In-concert operas are sometimes regarded as the poor relation of their fully staged cousins. But can less be more?

This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.

Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.

A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.

Lindy Hume’s new production of this early Mozart opera offers much to delight both eye and ear.

The first part of Opera Australia’s 2024 season has launched and Guest Artistic Director Lindy Hume's program is no business-as-usual proposition.

OA and VO to present an epic staging of Mozart’s Idomeneo for three performances at the Palais Theatre in St Kilda.