MTC, Melbourne Opera, Richard Mills and Kinky Boots among the companies, artists and shows recognised in a marathon Green Room Awards ceremony.

Sarah Snook gives a breath-taking tour de force performance as the London lead in Sydney Theatre Company's The Picture of Dorian Gray.

Patricia Cornelius adapts her own novel about a family torn apart by the ripples of war.

This new musical, based on Shakespeare's Dream, is proof that Laura Murphy is a bit of a genius at writing musicals, even though the second act could do with more dramaturgy.

Dennis Kelly's play has been a hit globally, but it has a problematic script, which this MTC production has not been able to resolve.

While the play would have fared better in a smaller venue, it's a smartly written, intelligent, well-performed piece about fact, fiction and the concept of "truth".

This double bill featuring an opera by Poulenc and a new Australian work, conceived by Ali McGregor with a score by Connor D'Netto, is captivating, intelligent, theatrical and emotional.

A welcome revival of Weill and Brecht’s follow-up to The Threepenny Opera.

In the first of three articles, Shaun Rennie offers some fascinating insights into his work on OA's La Bohème and Phantom of the Opera on Sydney Harbour, as well as Bell Shakespeare's new musical The Lovers.

Amidst this fast-paced, and at times mad reading of Mozart’s masterpiece, the opera ultimately triumphs, with Jeremy Kleeman particularly impressive as Figaro.

Mozart’s glorious music wins the day in Opera Queensland's overly busy, contemporary interpretation of The Marriage of Figaro.

Marg Horwell tells us how her stunning design for Opera Queensland's new Marriage of Figaro has been directly influenced by the unpredictable nature of the last 18 months.