Review: Hour of the Wolf (Malthouse Theatre)
Choose your own adventure in this immersive theatre production that entertains more through style than substance.
Choose your own adventure in this immersive theatre production that entertains more through style than substance.
Artistic Director Matthew Lutton is determined not to play safe in 2024. “There isn’t a moment of domesticity or realism in sight."
Liza Lim "honoured and very humbled" to be among almost 1200 Australians to receive recognition for their work this year.
Alison Whyte performs with three dancers in this theatre production where speech and dance set out to express human terror, courage and risk-taking.
Malthouse has announced its first five productions for next year, including Nosferatu, commissioned from Keziah Warner, an adaptation of Christos Tsiolkas's novel Loaded, and a semi-autobiographical play by Ash Flanders.
The truth behind collections of First Nations remains is revealed in this disturbing new play.
A welcome revival of Weill and Brecht’s follow-up to The Threepenny Opera.
A thrilling, tantalising theatrical adventure through an Elsinore very different to Shakespeare’s.
Christos Tsiolkas' Loaded, a transcript of an FBI interrogation performed verbatim, and a reimagining of Macbeth by Scott Shepherd are among the highlights.
This ambitious dive into the Australian psyche struggles with the novel’s epic complexity and mystery.
Matthew Lutton directs the first professional staging of the epic play in two decades.
Cloudstreet is the centrepiece in a 2019 season steeped in horror, Malthouse AD Matthew Lutton explains.
This adaptation of Peter Carey’s novel is an uneven, sometimes laborious tragi-comic exploration of an adman’s existential crisis.