Review: The Birds (Belvoir)
Written in the post-WWII period, The Birds feels deeply resonant in an era where misinformation and mistrust loom large.
Written in the post-WWII period, The Birds feels deeply resonant in an era where misinformation and mistrust loom large.
Proof (were it needed) that the promise of nudity always boosts traffic.
“Lower your guard,” says incoming Artistic Director Matthew Lutton, heralding the return of Peter Sellars and contemporary music.
A year of new works, acclaimed revivals and creative partnerships to yield stories of kinship, survival, upheaval and community.
“The goal isn’t just growth. It’s hunger. Risk. Joy." Helpmann Award-winning Dean Bryant to take over Melbourne's Malthouse.
A three-course feast of early music and a star-powered production by the late Robert Wilson are among the banner events for Adelaide Festival 2026.
We're celebrating our 250th issue this month. Rather than look back, we've asked leaders in the field to imagine what Australian theatremakers might be presenting when we publish Limelight #500.
Julian Hobba joins Adelaide Festival after stints as Executive Director of State Theatre Company South Australia and The Blue Room Theatre, Perth.
Matthew Lutton's farewell production fails to fly, with Du Maurier's apocalyptic vision blurred by the immersive headphone experience.
Louise Fox tells Jo Litson about her visceral new stage adaptation of The Birds.
A round-up of our recent news reports.
Theatre and opera director Matthew Lutton "thrilled" as he makes the leap from Melbourne's Malthouse to Adelaide Festival.
The latest arts appointments and departures.