From Mahler to Lang Lang with plenty in between, the MSO's outgoing Chief discusses his final year.

Sir Andrew and the MSO all kitted out for a high climb.

Bright violin playing, if the backing could be less like backing.

The MSO is led masterfully through stormy works from Britten and Bruckner.

Women composers are wildly under-represented in Australian music across all genres but, as Rosalind Appleby discovers, a groundswell of change is gathering force.

Despised and rejected, Hector Berlioz vowed he’d write no more, until a game of cards sowed the seed for a miraculous final flowering.

Buy Tchaikovsky and be dazzled by a new concerto by Kernis composed for violinist James Ehnes.

Korean composer Unsuk Chin talks about studying with Ligeti, her influences, and what she'd tell young composers now.

The British maestro, who has led the MSO since 2013, will end his tenure as Chief Conductor at the end of 2019.

Over 12 months, the emerging composer will work closely with orchestra and staff to create two new compositions to be performed by the MSO.

The Orava Quartet's debut album on Deutsche Grammophon tops The Limelight Chart – our monthly list of Australia’s best-selling classical music albums.

Sir Andrew Davis brings his trade-mark warmth of string tone and precision to the MSO's season opener with Stuart Skelton and Nelson Freire.