Weiss becomes the first Australian to conduct a subscription concert with the Boston Symphony Orchestra.

The Australian-born pianist partners with Palestinian-Jordanian rising star Iyad Sughayer in a musical "act of connection" as MSO court case looms.

Best known for his leadership of the Australian Music Centre, John Davis is honoured for his pivotal role in shaping the contemporary music landscape.

Joe Chindamo's remarkable Requiem stands out among some heavy company.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

Once dismissed as “a brutal din”, Mahler’s Symphony No. 1 is now acknowledged as a monumental, groundbreaking work that expanded the symphonic genre.

Andrew Aronowicz explains how he drew on a scary German legend for his new tone poem for Melbourne Symphony Orchestra.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

A round-up of our recent news reports.

Making her Australian debut, María Dueñas's uncompromising lyricism and impeccable control draws the audience into every note.

In 2025, Australian orchestras performed female composers more than Bach, Beethoven and Mozart combined. Hannah Lee Tungate walks us through the stats.