A dream cast, sublime design, charming music and assured direction deliver a delightful end-of-year Shakespearian romp.

An exciting new season that balances international plays with new and classic Australian works.

A ‘sequel-of-sorts’ to Ibsen’s groundbreaking play, this new work is capably interpreted but fundamentally lacking in subtlety and complexity.

The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.

The actor, who is suing The Daily Telegraph over stories accusing him of "inappropriate behaviour", has cited “current circumstances and medical advice” for his withdrawal.

This intelligent, provocative play uses the Snowden affair as the springboard for a not-so-speculative deep dive into 21st-century surveillance.

Soon to appear in the Australian premiere of Mike Bartlett’s Wild, inspired by the story of Edward Snowden, Schmitz discusses playing a mysterious character simply referred to as ‘Man’.

Lucy Kirkwood's intimate dystopia paints a world in which sacrifices must be made.

In this classic Mike Leigh play, an excellent cast reveals timeless personal and social anxieties in 1970s England.

The innovative West End and Broadway hit, adapted from Mark Haddon’s novel, makes its Australian debut.

Mark Haddon was approached umpteen times for permission to adapt his best-selling novel for the stage. We find out why Simon Stephens’ "heart of flint" made him the perfect fit for the job.

Eddie Perfect’s new satirical play is an unpredictable, often caustically funny poke at its white, middle-class audience.