The innovative West End and Broadway hit, adapted from Mark Haddon’s novel, makes its Australian debut.

Mark Haddon was approached umpteen times for permission to adapt his best-selling novel for the stage. We find out why Simon Stephens’ "heart of flint" made him the perfect fit for the job.

Eddie Perfect’s new satirical play is an unpredictable, often caustically funny poke at its white, middle-class audience.

The renowned musical theatre performer is relishing being in Eddie Perfect's new satirical "play with songs" about the Australian obsession with real estate.

He was a stellar Valjean in Les Mis but you’re more likely to find Glenn Gould, R.E.M. or big band music on his playlist.

MTC will commission a minimum of 35 new works and provide up to 15 writer-in-residence opportunities over five years. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

This cinematic take on the Scottish play lacks some substance but is far from signifying nothing.

Physicality in spades in Michael Frayn's farce-within-a-farce.

Front to back or back to front, Michael Frayn’s classic farce-within-a-farce must go on.

Lally Katz’s laugh-out-loud peek inside a retirement village reveals how regret, ambition and the funny side of life never grow old.

Now musical theatre royalty, Nancye Hayes reminisces about her first radiogram and why she’d never make a ballerina.

Joanna Murray-Smith’s comedy-drama drops a bomb on comfortable coupled life.