Review: Second Coming (La Boite Theatre & Playlab Theatre)
We have a problem. An ambitious world premiere about a Mars mission fails to launch.
We have a problem. An ambitious world premiere about a Mars mission fails to launch.
Leaning into Chinese diaspora identity, elements of Merlynn Tong's musical play may be incomprehensible for some, but the humour and pathos will chime with most.
A hilarious and heart-wrenching new musical comedy about mothers, daughters, ghosts and karaoke.
La Boite Artistic Director Courtney Stewart tells Jo Litson about the company’s centenary season.
Anna Reece's first Perth Festival promises to light up the sky and fire up the city's old power station in a host of new ways.
Brisbane's La Boite Theatre brings up the ton with a season of premieres, classics and a dive into the archives.
Merlynn Tong's play shows us that it is our internal journey and our relationships – not wealth and status – that matter most on the path to healing.
Australian classics reimagined; Joanna Murray-Smith returns to Patricia Highsmith; two recent Melbourne hits included in the calendar.
The first ever staging of Louis Nowra’s The Lewis Trilogy will serve as a last hurrah for the SBW Stables Theatre as you know it.
An epic tale full of flawed characters and moral quandaries adapted from the earliest Chinese-language novel published in Australia.
Strap yourself in. La Boite Theatre's new Artistic Director Courtney Stewart promises to take audiences "to places they’ve never been".
The season of six Australian plays, including four world premieres, features plenty of unexpected, incongruous clashes between subject and treatment.
La Boite’s CAESAR pulls apart not only Shakespeare’s text, but the process and shortcomings of theatre making itself.