The founding Director of The Tallis Scholars, Britain’s revered early music vocal ensemble, discusses the group’s return to Australia.

Sam Weller and Hannah Solveij combine for a challenging peek into possible future directions for concertgoers.

Directed by Alexander Berlage, Nico Muhly and Laura Lethlean’s brand-new opera is a mini masterpiece that looks as captivating as it sounds.

McVinnie puts contemporary cool into the pipe organ.

Composer Nico Muhly has no idea what he will be doing in one of his upcoming Tasmanian concerts. And that’s the way it’s supposed to be.

From purchasing a few bars of music to making a multi-million-dollar donation, we explore the different ways that philanthropy can help transform our cultural life.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

This incredibly satisfying program, featuring two world premieres, is dense but good-natured and fondly curated by an intelligent, forward-thinking ensemble.

Eavesdropping on Steve Reich proves endlessly illuminating and surprisingly humorous.

In an opinion piece in the Sydney Morning Herald, Cat-Thao Nguyen said she left OA's Turandot after Act 1 feeling "utterly sick" at the racism. We look at the complex issue.

Why has classical music been so slow to incorporate electric instruments?

World premieres of new works by five young composers mark Omega’s return to the stage.