Cassie To, Callum O’Reilly, Oliver John Cameron and Alexandra Mison to undertake a composition intensive and write a new work for Omega Ensemble.

Director Lindy Hume talks to Limelight about making four operas simultaneously and challenging what the art form can be.

A new collaboration between the Sydney Conservatorium and NIDA features the premiere of four operas written by Master’s students.

Log in to read the PDF version of Limelight's April 2024 magazine.

Elizabeth Jigalin and Oliver John Cameron discuss their new site-specific work Sonant Traces, which has its world premiere at Sydney’s White Bay Power Station this month.

Whether you are an avowed minimalist or a devil-may-care, cram-it-all-in maximalist, Limelight’s April edition will have something for you.

Whether you are an avowed minimalist or a devil-may-care, cram-it-all-in maximalist, Limelight’s April edition will have something for you.

For composer Shauna Beesley, winner of this year's Willgoss Prize, "choral singing is one of the human race’s highest achievements".