Christos Tsiolkas explains why he felt compelled to put his fear aside to co-write the libretto for Watershed: The Death of Dr Duncan.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Cost-of-living pressures are biting, but the real challenge going forward lies in the loss of audience predictability, says OA's CEO Fiona Allan.

"Iggy” to his colleagues and “Nacho” to his family, Ignatius Jones put the irreverent, camp side of Aussie culture onto the world stage.

Many 18th century composers worked in conditions antithetical to creativity, writes Sally Melhuish. Some triumphed regardless.

French violinist Matthieu Arama steps into the role left vacant after the departure of Jun Yi Ma in 2022.

The centenary of Puccini's death gives creatives the chance to reflect on what makes his operas so special and explore new ways to stage them.

After 30 years away from the musical theatre stage, Sarah Brightman returns as Norma Desmond in a new Australian production of Sunset Boulevard.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

West Australian conductor and thought leader Jessica Gethin to take on the orchestra’s lead artistic role.

Limelight talks to the stars of Handa Opera on Sydney Harbour's West Side Story about a show that builds its own sense of community.

“This is me. This is my world!” Tim Draxl puts a new and personal spin on Sunset Boulevard's cynical protagonist.