Review: Madama Butterfly (Opera Australia)
This farewell to Moffatt Oxenbould's beautiful production takes time to soar emotionally.
This farewell to Moffatt Oxenbould's beautiful production takes time to soar emotionally.
Ahead of Madama Butterfly, the Mexican-born tenor shares why he’s happy to be working here with Opera Australia. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
It’s best in, best dressed in opera-wear as Opera Australia puts 2000 costumes on sale to the public for as little as $2 apiece. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A mercurial winter journey from a powerful bass.
The Government is “broadly supportive” of recommendations, including fines for casting too many non-Australian singers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The company’s new system caters to patrons from around the world, but how long before we see something similar in Australia? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Ahead of her debut in Aida, Aroyan reflects on her beginnings, Leontyne’s pearls of wisdom, and the roles coming up next. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
To celebrate its 175th performance of Aida, Opera Australia is offering 175 super cheap seats at Coolangatta Beach. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Stars on offer include Nicole Car, Jessica Pratt, Leo Nucci, Ferruccio Furlanetto, John Tomlinson and Michael Fabiano.
The singer is to play Eva Perón in a revival of Hal Prince’s original 1978 production of Evita for OA and John Frost. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Kaufmann isn't the only thing that impresses in a superlative night of Wagner singing.
We look at how the cup of the Last Supper cast its spell over one of music’s great agnostics. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
In Sydney for Parsifal, Kaufmann talks about Wagner, upcoming roles, and his withdrawal from The Met’s Tosca. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in