Sir John Tomlinson on new music and the state of opera today
In this second part of a two-part interview, the veteran bass speaks frankly about how the profession of singing has changed over his long career.
In this second part of a two-part interview, the veteran bass speaks frankly about how the profession of singing has changed over his long career.
Ahead of his Opera Australia debut as Don José, the Argentine tenor talks favourite sopranos, fantasy dinner guests, and guilty pleasures.
Shostakovich was 20 when he began writing The Nose. Barrie Kosky was around the same age when he fell in love with it.
The veteran stage director has been dismissed after a chorister made a complaint to the company.
Stunning sets and star power have made Murphy’s production the most popular production of the work in the company’s history.
The veteran British bass has some advice for young basses and reveals the secrets of Reginald Goodall and his hidden room.
Opera Australia’s four young Regional Scholarship winners wowed an audience at the Opera Centre following a week of intensive coaching.
Subscribe or renew your subscription to Limelight magazine before Friday February 9 to receive our March 2018 issue, delivered from February 22.
From nude dancers to opera superstars, here are the top ten live reviews that had our readers hooked in 2017.
Four young singers from Queensland, Western Australia and the Northern Territory will travel to Sydney in January for a week of professional training with Opera Australia.
With safer, quieter equipment and a revamped orchestra pit, the Sydney Opera House’s opera theatre is due to open on New Year’s Eve after seven months of work.
Romancing Danielle de Niese or tapping out Kosky’s Shostakovich, meet the tenor who ‘nose’ no bounds.
From breaking industry news to cute animals and orchestras, here are the most-read classical music stories on Limelight in 2017.