Opera Australia gets a head in Opera on the Harbour preparations
An 18-meter high bust of Egyptian queen Nefferttiti is erected for Aida. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
An 18-meter high bust of Egyptian queen Nefferttiti is erected for Aida. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
CEO Craig Hassall remains optimistic that the Sydney home of OA will receive future investment from Baird. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
There are two Opera Australia DVDs of Madama Butterfly and, apart from the music and some of the performers, you could be watching two different operas. For Moffatt Oxenbould’s production – still going strong after 18 years – designers Peter England and Russell Cohen used Kabuki theatre as their inspiration with ninja-clad servants handing out props; sliding screens and a surrounding moat to represent the divide between Japanese and American culture. Cio-Cio-San, also sung by Japanese soprano Hiromi Omura, was dressed in a kimono, looking the true geisha. For the Handa Opera on Sydney Harbour production, newly released on DVD, director Àlex Ollé from the groundbreaking Spanish theatre group La Fura Dels Baus takes an edgier and more political approach to this tragic love story set amid a clash of cultures. Here we are in the present day and the passionate, unscrupulous Pinkerton is a shiny-suited salesman intent on building a housing development in Nagasaki. Butterfly sports a full body tattoo, denim shorts and a Stars and Stripes T-shirt. For the first act the clever set is a grove of bamboo atop a grassy knoll. For the second act everything is different. No more nature – it’s all building sites,…
McVicar's masterly Gounod pits devilish theatricals against Second Empire morals.
Melbourne's annual awards ceremony for the performing arts names 2014's highest achievers.
Limelight Editor Clive Paget heads backstage to meet American superstar tenor Michael Fabiano.
So-so revival only manages a flutter compared to last year’s offering on the Harbour. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Inquiry into the state of opera in Australia invites lovers of the art form to have their say. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Young Aussie soprano is ray of light in a generally bleak year for Australian opera. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
John Bell’s shocking Nazi-infused Tosca gets a far from shabby revival. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Lyndon Terracini refuses press tickets for two senior critics in response to negative articles. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
There are fun and frolics aplenty in Julie Taymor's vivid and vibrant interpretation.
Gale Edwards’ savvy Bohème shows young love failing to survive Hitler’s springtime. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in