Opera Queensland's annual festival has earned its rightful place on the international opera calendar.

Connor D’Netto will use the commission to collaborate with London's Cats Cradle Collective, after receiving the Award for his first opera, The Call.

Likening opera to slow-cooking, Opera Queensland’s Artistic Director Patrick Nolan continues breaking new ground with his genre-defying programming from QPAC to the outback.

This double bill featuring an opera by Poulenc and a new Australian work, conceived by Ali McGregor with a score by Connor D'Netto, is captivating, intelligent, theatrical and emotional.

Though plagued by illness, West Australian Opera presented a compelling and sensitive performance of Puccini's epic thriller.

This festival is an extraordinary achievement in improving accessibility to opera and the arts more broadly.

After its huge success last year, Opera Queensland's ten-day outback Festival returns. We talk to the festival organisers and headline performer Greta Bradman.

This new work plays with centuries of expectations around women’s roles in opera.

There is an emphasis on West Australian talent and deep engagement with the community in the state opera company’s programming for next year.

Three performers delve into two eras in one superb concert.

OQ's 2022 season features two newly commissioned works, a classic, a regional tour and the return of the Studio Series and the Festival of Outback Opera, with a strong focus on women.

Amidst this fast-paced, and at times mad reading of Mozart’s masterpiece, the opera ultimately triumphs, with Jeremy Kleeman particularly impressive as Figaro.