Review: The Birds (Belvoir)
Written in the post-WWII period, The Birds feels deeply resonant in an era where misinformation and mistrust loom large.
Written in the post-WWII period, The Birds feels deeply resonant in an era where misinformation and mistrust loom large.
Pamela Rabe commands Belvoir’s uneven eco-mystery, where big ideas accumulate without dramatic payoff.
A double-take staging of a Hollywood classic the centrepiece of Malthouse Theatre's 2026 program.
In a well-cast production of jaw-dropping design and theatricality, playwright Tom Wright returns to Troy to explore timeless themes of war.
A year of new works, acclaimed revivals and creative partnerships to yield stories of kinship, survival, upheaval and community.
Matthew Lutton's farewell production fails to fly, with Du Maurier's apocalyptic vision blurred by the immersive headphone experience.
Louise Fox tells Jo Litson about her visceral new stage adaptation of The Birds.
Alana Valentine's new play produces a warm glow as contrasting views are explored and a secret is revealed.
Alana Valentine's new drama explores "uncomfortable, complex truths" in the nuclear energy debate.
Lynn Nottage’s microcosmic Sweat shows us what happens when the American Dream becomes an impossibility for working people.
A Julian Assange bio-play, Du Maurier's The Birds, a Trojan epic – and ticket prices "lowered across the board".
Fissionable drama from Alana Valentine and an irreverent look at life in a nudist eco-resort among Griffin's offerings in 2025.
A giddy-making hayride of a show, Belvoir adapts Bulgakov’s novel with the kind of reckless creativity we imagine was required to write it in the first place.