Review: The Four Elements (Brooklyn Rider)
Proclaiming “no allegiance to either end of the historical spectrum,” Brooklyn Rider's post-genre approach found an appreciative Melbourne audience.
Proclaiming “no allegiance to either end of the historical spectrum,” Brooklyn Rider's post-genre approach found an appreciative Melbourne audience.
An innovative but inconclusive evening’s entertainment as the sun sets on Perth's Scarborough Beach.
Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.
Life’s joys and struggles aired in a wonderful new play by Steve Rodgers, set at an aquatic centre.
A calibrated mix of charm, lyricism and choreographic precision showcasing the exquisite virtuosity of WAB's dancers.
All the elements of grand opera are here in Wundig wer Wilura: love and war, trust and betrayal, intimacy and the sublime.
A nerdy passion for vintage infrastructure and a fondness for people watching have informed Steve Rodgers' latest play, set in a public swimming pool.
The history of Broome’s pearling industry and a long-ago personal connection inspired Marrugeku’s new dance work.
Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.
Sometimes, says opera director Matt Reuben James Ward, it's the little things that count when building a bridge from the mythic past to the present day.
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