Ahead of her first performance in 11 months, the New York-based pianist talks to Limelight about the allure of Philip Glass's music, which she will perform at the Sydney Opera House's Bennelong restaurant.

Modern and minimal string quartets shimmer in brand new guises.

How cultural rituals have helped humans deal with death.

Lin’s new survey confirms her as in the premier rank of Glass interpreters.

In his final column, Clive Paget recommends Glass at the Met, OA's Turandot, and a handful of European gems.

An intimate, personal and human love-song to the music of Philip Glass.

British director Phelim McDermott has been obsessed with Philip Glass’s music since the early 1980s. He talks to Jo Litson about meeting the legendary composer, directing his operas, and the dream in a flotation tank which led to their first direct collaboration.

Alongside the golden oldies, not so old dogs deliver plenty of new tricks.

Discover our readers' and critics' favourite artists of 2019, learn about Beethoven's final tempestuous year, and celebrate Musica Viva as it turns 75.

Discover our readers' and critics' favourite artists of 2019, learn about Beethoven's final tempestuous year, and celebrate Musica Viva as it turns 75.

The Icelandic pianist, who Limelight's critics have voted our International Artist of the Year 2019, tells us about his forays into the music of Philip Glass and Johann Sebastian Bach.

Opening with a week dedicated to First Nations performances, Iain Grandage’s first program as Artistic Director spans a Noongar language adaptation of Macbeth to Cloudstreet, Philip Glass with puppets, and Humperdinck’s Hansel and Gretel in the park.