The German violist talks about Bartók’s Viola Concerto, written in the final weeks of the composer’s life, inspired by the destruction of Hungary during WWII, and a fearsome challenge for musicians.

The ballet is now an old warhorse, but Igor Tsvirko was dazzling as Spartacus on opening night.

A passionate rendition of Dvořák’s Cello Concerto headlines an impressive program.

The esteemed Irish pianist and educator is the Jury Chair of the Lev Vlassenko Piano Competition in Queensland. He offers words of advice to young musicians.

Berlioz’s fantastic dreams brought to life by conductor’s personal touch.

Conductor Diego Matheuz provides confident leadership in this consistently entertaining concert.

He receives a $5000 cash prize and the chance to perform with the orchestra.

QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.

QSO's Music Director has been recognised for her contribution to culture and Mexico's international reputation.

Despite notable ups and downs, Ian Whitney’s annual report into the number of Australian works performed by the major orchestras sees little improvement year on year.

Liam Scarlett premieres a full-length Dangerous Liaisons, Bespoke creates contemporary dance for the digital ages, while several favourites return.

Ahead of her return to Australia, the German violinist tells Jo Litson how she used to listen to her parents make music under the grand piano, as well as her special connection to Hindemith.