Review: Somos (Sydney Dance Company)
There is ‘intimate’ and then there is Somos. Rafael Bonachela’s Somos reduces the space between performer and audience to inches.
There is ‘intimate’ and then there is Somos. Rafael Bonachela’s Somos reduces the space between performer and audience to inches.
A world premiere, a striking collaboration, an Australian debut and a national and international tour mark Sydney Dance Company's 2024 season.
The Artistic Director of Sydney Dance Company recalls his childhood dislike of flamenco, his discovery of classical music and his desire to use live musicians as often as he can.
Featuring Frances Rings and Alma Moodie, Ross Edwards and Raf Bonachela, this month's magazine is a jam-packed winter warmer.
An eclectic trio of contemporary dance works, Ascent is crowned by the return of Antony Hamilton’s exhilarating Forever & Ever.
A choreographer, Marina Mascarell is accustomed to have others do the moving for her. But what, asks Limelight, are the pieces of music that move her?
Featuring an immersive soundscape by Nick Wales, and a new Sulman Award-winning accommodation wing, Arthur Boyd’s homestead invites everyone to rediscover nature’s beauty.
Artistic Director Rafael Bonachela has announced he will stay on for five more years, as the SDC prepares for its return to the Sydney Opera House and a busy touring schedule.
New works by Stephanie Lake and Rafael Bonachela, along with a recent Bonachela favourite go for gold.
A round-up of our recent news reports.
Impermanence/Disintegration by Bryce Dessner has won Best Classical Record at the independent Libera Awards.
Rafael Bonachela’s monumental work from 2018 returns with mostly new dancers but the same impact.
Rachael Osborne, who teaches Ohad Naharin's Gaga method, and Sydney Dance Company AD Rafael Bonachela discuss Decadance, which SDC will perform at Sydney Festival in January.