Brooklyn Rider’s curated five-concert program for UKARIA’s Chamberfest 2025 shows how music reflects the society from which it emerges.

The London Sinfonietta is full of Viennese surprises while Doráti documents a moment in time.

Rich and strange music for an imaginary film leads to Brahms from a different perspective.

A beguiling set of contradictions sketch the evolution of John Cage’s thinking about music, sound and indeterminacy.

Latitude 37 and a bespoke string sextet make for a concert filled with hope, promise and transfiguration.

Gurrelieder was one of Schoenberg’s greatest public triumphs. We discuss the cantata with Simone Young, who's conducting the Sydney premiere.

The second-time Artistic Director and violinist talks about what's in store for this year's 3MBS Marathon.

The Sydney Symphony’s Chief Conductor gives a preview of the start of the Orchestra’s season, with two landmark events and one shining jewel.

A saucerful of secrets from conductor Sam Weller and the talented young players of Ensemble Apex.

Aimez-vous unnecessary fiddling with Brahms?

Patricia Kopatchinskaja’s possessed Pierrot is as electrifying as it is exotic

Christian Thielemann offers pace and detail despite mixed bag of soloists.