The season features Australian guest soloists including Siobhan Stagg, Jayson Gillham and Grace Clifford, a new chamber series, and a new initiative committed to greater representation of women composers.

Lockdown was an opportunity to commission "Listen", a song that has resonated with many.

In this week's column, Angus McPherson takes a look at Melbourne Digital Concert Hall's first international satellite concert, The Academy of St Martin in the Fields' new streaming series, and some cute classical pet pics.

We speak to Australian musicians working around the world about how they are responding to the challenges of teaching music remotely.

Cellist Yo-Yo Ma is just one of many classical musicians who have recorded videos in support of those at the COVID-19 front line.

In an exciting start to the festival, this provocative production, with its stunning staging and symbolic imagery, will leave you pondering.

Mozart’s Requiem is a cornerstone of the classical canon, a powerful mass for the dead written by the composer on his deathbed. Ahead of its premiere at the Adelaide Festival, Justine Nguyen learns how Romeo Castellucci has staged it as a celebration of life instead.

Verdi's sacred masterpiece brought stunningly to life.

Asher Fisch and WASO orchestrate a fascinating evening of discovery.

Carl Vine tells us about his swansong season as Artistic Director of the organisation, which celebrates its 75th birthday next year.

Premiering in Aix-en-Provence earlier this month, the radical, beautiful staging of Mozart’s final, unfinished work has electrified audiences.

Melbourne’s yearly awards ceremony for the performing arts celebrates 2018's outstanding achievements.