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Chamber, Classical Music
Live Review

Review: KLASSIK underground: Different Trains (Illuminate Adelaide)

The success of this interdisciplinary concert series warrants its return in an expanded format.

July 18, 2022
Chamber, Classical Music, Festivals, Instrumental, Vocal & Choral
Live Review

Review: The Great Divide (Canberra International Music Festival)

This wide-ranging program perfectly reflects Canberra Festival's overarching theme, even if one did have to work to see the links.

May 4, 2022
Classical Music
features

Electric Shock

Why has classical music been so slow to incorporate electric instruments?

February 21, 2022
Chamber, Classical Music, Festivals
news

Four Winds announces the program for its 2022 festival

Over the Easter weekend in April, Bermagui will host some of Australia’s finest musicians from Pinchgut Opera to the Acacia Quartet.

February 18, 2022
Chamber, Classical Music, Instrumental, Jazz
features

My Music with Rachel Kent

The new CEO of Bundanon Trust, and former Chief Curator at the Museum of Contemporary Art Australia (MCA), explains how art and music have always been part of her DNA.

October 25, 2021
Chamber
CD and Other Review

Review: Steve Reich: Eight Lines & City Life (Holst-Sinfonietta, Klauss Simon)

A Steve Reich survey shows old-school Minimalism still packs a punch.

March 1, 2021
Chamber
CD and Other Review

Review: Blood Oath (Melbourne Guitar Quartet)

Modern and minimal string quartets shimmer in brand new guises.

January 13, 2021
Classical Music, Instrumental
Live Review

Review: Steve Reich Music for 18 Musicians (Soundstream New Music, Recitals Australia, Adelaide Fringe)

A fine performance of a rarely heard 20th-century masterpiece.

March 15, 2020
Chamber, Classical Music
Live Review

Review: Kronos Quartet (Carnegie Hall, New York)

Alongside the golden oldies, not so old dogs deliver plenty of new tricks.

January 28, 2020
Chamber, Classical Music
Live Review

Review: Nico Muhly and the New (ACO Collective)

New, but not shocking: ACO Collective champions Muhly’s new concerto.

December 5, 2019
Classical Music, Orchestral
features

David Robertson on two composers’ common ground

The Sydney Symphony Orchestra's Chief Conductor tells us about recording the orchestra's new Westlake and Reich disc, Limelight's Recording of the Month in May.

May 17, 2019
Classical Music, Orchestral
Live Review

Review: Bartók’s Concerto for Orchestra (Sydney Symphony Orchestra)

A well thought-out program, spanning 100 years from Janáček to Reich.

February 14, 2019
Classical Music
features

Steve Reich: The Minimum Standard

The minimalist icon has spent 30 years avoiding the potential pitfalls of orchestral performance, so why break the habit now? Clive Paget visits the composer in his rural retreat to get the lowdown.

January 30, 2019

Posts pagination

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