Composer and saxophonist Brenda Gifford has been announced as the recipient of the Merlyn Myer Music Commission.

It’s time to move beyond “special programs” and one-off celebrations for female composers, argues Liza Lim.

Frank Martin's mighty Mass for Double Choir will require all the resources of Sydney Chamber Choir – and then some, writes Sam Allchurch.

First Nations soprano, composer and educator Deborah Cheetham Fraillon announced as the inaugural Elizabeth Todd Chair of Vocal Studies.

Sydney violinist Harry Ward has secured a position among the first violins of the Berlin Philharmonic Orchestra.

Fascinated by complex musical ideas, Jack Symonds never wants to make work that resembles anything else – whether he’s programming it or writing it himself.

Announcing a new postgraduate program for 2023, Words, Text, Voices, Music, the Sydney Conservatorium of Music will halt its successful Composing Women program for the foreseeable future. 

An all-day jazz festival presented 22 concerts in six venues within the confines of the Sydney Conservatorium.

A round-up of our recent news reports.

The Women's Club will again play host to emerging female musicians from the Sydney Conservatorium, showcasing Australian artists.

Anna Dowsley fell asleep when she was taken to see her first opera but she still decided to train as a singer. Clive Paget talks to the Australian mezzo-soprano whose European career is taking off.

International stars join local legends on jam-packed lineup.