Comedy of the most tightly choreographed kind, with every gesture, facial expression and flair of the nostrils delivered to tight cues and at a fierce pace.
The German pianist and composer is a marvel of live electronic performance.
Ahead of HKSO's Australian debut tour, conductor-violinist Jue Yao talks to Limelight about Hong Kong's unique musical culture.
The trademark sideburns are salt and pepper these days, but Rufus Wainwright's voice and flair for drama remain as pure and powerful as ever.
Outside of sporting arenas, it’s not often you find yourself part of a crowd so invested in the action.
Kirsten Milenko hopes the delicate musical branches in her new work for Ensemble Offspring will grow and resonate, much like the forest networks that inspired them.
The Chinese baritone and President of the Shanghai Conservatory of Music discusses his forthcoming Australian recitals featuring Chinese art songs.
La Clique may be 20 years old, but this anniversary edition, featuring new acts and old favourites, is as outrageously entertaining as ever.
Blind from birth, Nobuyuki Tsujii began playing his toy piano when he was two, and he has lost none of the joy he felt as a child.
Britain’s Rolls-Royce vocal group VOCES8 pulls out all the stops for its anniversary tour.
People are dancing into their nineties and beyond. We look at the collectives, classes programs that keep them moving.
With the beloved Paris landmark set to reopen in December, Olivier Latry recalls the inferno that nearly claimed the cathedral's magnificent organ.
Benjamin Millepied delivers a must-see neoclassical tour de force with exquisite dancing and clever camerawork that delivers a punch.
