Review: Mary Stuart (Sydney Theatre Company)
Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings.
Kate Mulvany's adaptation places both queens centre stage, providing an excavation of their shared humanity and grave shortcomings.
Sydney Theatre Company has received 11 awards in total.
Sydney Theatre Company leads the charge this year, becoming the first ever company to make a clean sweep of the Best Mainstage Production category.
Sarah Peirse is masterful as a Miss Docker we'll all recognise.
Amber McMahon is an absolute maniac in Dario Fo's political farce.
Power and family are in the spotlight in STC’s 2019, Kip Williams explains, with a swathe of new plays alongside modern classics like Lord of the Flies, Così and Cat on a Hot Tin Roof.
Exciting world premieres and a co-production with Sydney Theatre Company make this a bumper season.
Kate Mulvany's adaptation of Ruth Park’s monumental trilogy of novels soars.
Sydney Theatre Company offered Kate Mulvany the chance to go “big and bold” with an Australian novel. So she has written a two-part, five and a half hour adaptation of Ruth Park’s Harp in the South trilogy.
The Daily Telegraph has applied to amend its defence in light of the statement, which Rush’s barrister described as “too little, too late”.
The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.
The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.
H Lawrence Sumner’s latest play brims with life in this world premiere directed by Neil Armfield.