Jane Rutter’s Live at Lunch series announces 2018 season
The Australian flautist’s 2018 series at The Concourse will feature Australian artists Tamara-Anna Cislowska, Taryn Fiebig, Nexas Quartet and more.
November 30, 2017
Review: The Merry Widow (West Australian Opera)
Bubbling over with opulence, it doesn't get more fun than this.
July 16, 2017
Review: Anacréon & Pigmalion (Pinchgut Opera)
A complex interweaving of plots and realities – with fantastic music.
June 16, 2017
Former arts editors, actors and opera stars protest Fairfax cuts
The arts sector is up in arms over management proposals to decimate arts coverage at SMH and The Age.
May 8, 2017
Review: Rossini Stabat Mater (Sydney Philharmonia Choirs)
Thrilling choral theatrics abound when the church goes to the opera.
May 7, 2017
Review: Saul (Glyndebourne Opera, Adelaide Festival)
Kosky’s baroque extravaganza could power SA’s electricity grid for a month.
March 3, 2017
Sydney gets ready to submerge itself in Szymanowski
Tony Legge and Taryn Fiebig explain the delights in store for audiences prepared give in to a bit of erotic mysticism. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
January 20, 2017
West Australian Opera unveils its 2017 season
WA Opera celebrates its half century with three audience favourites and a special gala concert in the park. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
October 26, 2016
Review: The Marriage of Figaro (Opera Australia)
McVicar brews up an excellently cast comic cauldron of sex and social politics.
August 7, 2015
Review: Reflections on Gallipoli (Australian Chamber Orchestra)
An unflinchingly truthful, but nonetheless moving commemoration of the ANZAC centenary.
March 17, 2015
Review: The Magic Flute (Opera Australia)
There are fun and frolics aplenty in Julie Taymor's vivid and vibrant interpretation.
January 5, 2015