Review: Waterloo (Melbourne Fringe Festival)
Bron Batten’s provocative exploration of love, war and left-wing values is compelling, if not always clear.
Bron Batten’s provocative exploration of love, war and left-wing values is compelling, if not always clear.
William Golding’s 1950s dystopian novel becomes disturbingly fresh, timely theatre in this bold new production.
Patricia Cornelius examines peer influence on male behaviour and doesn’t shy away from the violence and cruelty it can inspire.
Tarantino's cult heist film gets a clever Shakespearean makeover, including with retro-meets-Elizabethan live band.
The latest arts appointments and departures.
A “pocket-sized” production that began its life in a backroom of an actual bookstore continues to delight theatregoers around the globe.
This theatre-meets-cabaret Cinderella villain origin story stops short of turning the stereotypical evil stepmother into a fully rounded character.
A genius stroke of theatrical programming – and a show that wins over its audience in (not-so) straight sets.
A recent little indie theatre hit about the hateful online “manosphere” returns, bigger but not better as the new, longer script dilutes this play’s impact.
With fabulous costumes and catchy pop bangers, this open-air twist on the Bard’s pastoral romantic comedy blossoms with charm.
This surreal twist on Shakespeare’s bloodiest play makes bold creative choices, but does it cut to the heart?
Lovecraftian puppets and pirates clash with sci-fi sensibilities and pulp-radio-drama stylings in this absurd new show.
This staging of a story said to have predicted so much about the world today lacks topical spark and specificity.