Review: STATE (West Australian Ballet)
Melanie Lane’s Slow Haunt and Adam Alzaim’s GAINSBOURG are perfect foils in a double bill of the visceral and the spectral.
Melanie Lane’s Slow Haunt and Adam Alzaim’s GAINSBOURG are perfect foils in a double bill of the visceral and the spectral.
The latest arts appointments and departures.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Jessica Gethin’s acceptance of the leadership position adds to a long list of recent milestones and accolades.
The West Australian Ballet’s triple bill is as much a celebration of three renowned composers – Glazunov, Delibes and Gershwin – as it is of dance.
The latest arts appointments and departures.
Aurélien Scannella out and David McAllister in (temporarily) as West Australian Ballet implements artistic leadership change.
What do our opera and dance companies have on offer in the year ahead?
This new production set in Perth, with choreography by Krzysztof Pastor and vital input from Barry McGuire and other Noongar artists, has been triumphantly realised.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The harrowing life of Van Gogh will be explored in one of six world premieres that feature in Aurélien Scannella’s tenth season as Artistic Director of West Australian Ballet.
The creators of three versions of Swan Lake discuss the ballet’s DNA.
Choreographed by Natalie Weir, this must-see ballet is brought to life by the brilliant performances of its dancers, a stylish production design and WASO's glowing interpretation of Bach's music.