The ACO's first live concert since March drew thunderous applause, and held the audience spellbound.

Violinist Dale Barltrop tells us about the ensemble’s recording project which will see new Australian works released digitally across 2020.

Collaborations between Indigenous musicians and composers with Western classical orchestras, ensembles and musicians are beginning to grow. Steve Dow talks to some of the artists participating in the cultural exchange about the challenges involved, the protocols that need to be respected, and the exciting new Australian sounds that are emerging.

“I wanted to cram as much in as possible,” says Artistic Director Kathryn Stott unveiling her final program in Townsville.

Indigenous voices will feature prominently in next year’s festival, which will include 10 world premieres and a performance of Haydn’s Creation in tribute to Richard Gill.

Opening with a week dedicated to First Nations performances, Iain Grandage’s first program as Artistic Director spans a Noongar language adaptation of Macbeth to Cloudstreet, Philip Glass with puppets, and Humperdinck’s Hansel and Gretel in the park.

The classical music category was introduced by the National Live Music Awards this year.

Roland Peelman reveals the scope of his ambition for the CIMF's 25th anniversary in a spectacular opening concert.

This year’s CIMF continues to build on its previous strengths and uniquely positioned character, writes our reviewer from Canberra.

A glorious setting for a winter chamber music festival.

The Festival hits the ground running with music from home and abroad.

William Barton left the audience deeply moved by an experience that had touched them to the core.