SSO begins its 90th birthday celebrations with Mahler's Resurrection Symphony and a new commission by William Barton, as it reopens the SOH Concert Hall.

Ukrainian bandura player and vocalist Larissa Kovalchuk discusses her training in Kyiv, the constant pressure from Russia, the horrors of the war, and taking part in a fundraising concert in Canberra.

This TSO concert was a celebration of our differences, our similarities, our histories and traditions.

Forging his own unique sound, didgeridoo virtuoso and composer William Barton has introduced a refreshing new voice to Australian classical music.

This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.

Log in to read the PDF version of Limelight's June 2022 magazine.

An outstanding survey of Australian new music, but caution is needed when it comes to categorising compositions.

This month's features include profiles of Australian choreographer Stephanie Lake and didge virtuoso William Barton, an interview with Mary Finsterer about her new opera Antarctica, Dr Anita Collins on why music makes us feel so good, and Peter Tregear on the winds of change at Opera Australia.

A round-up of our recent news reports.

MRC has announced composer and performer Mindy Meng Wang and conductor and instrumentalist Erin Helyard as Artists in Residence for 2022.

Featuring arresting imagery and music, this follow up to Mountain carries a strong environmental message.

The Creative Director of the Four Winds Festival tells us about her second and final program.